I have a love/hate relationship with sad entertainment. And by that, I mean I actively avoid it… while also judging all media by whether or not it makes me cry. It’s a deeply flawed system, I admit—but here we are.
Ever since that formative trauma, I’ve judged all books and movies by what I call the Crying Yardstick. The highest honor? Tears. Real, salty, rolling-down-my-cheeks tears. A good story doesn’t need to be a sob-fest, but if I don’t at least well up… it’s a hard pass. Think The Notebook, or pretty much anything by Nicholas Sparks. Bonus points if there’s rain or a goodbye scene.
Now, this doesn’t mean I like animal movies. Quite the opposite. I refuse to watch them. Dogs, bears, horses—it’s a firm no from me. The last bear movie I accidentally watched was during indoor recess with my students. I was just trying to eat my sandwich in peace when a PBS-style documentary on polar bears came on. Cute, right? Until the narrator explained how climate change was affecting the bears’ ability to hunt, and the mama bear started wandering the Arctic with her cubs. Then one morning, the little boy cub didn’t get up. He was just a snow lump. The mom and sister trudged off without him. And I? I have thought about that scene every single week since. Possibly every day.

Yes, I watched Marley and Me. And yes, I cried. Of course I cried. I knew I’d cry. Why do I do this to myself? Especially with animal stories. I know I’m going to end up emotionally gutted, yet I still press play like a woman with something to prove. Meanwhile, my brain holds on to these animal trauma scenes like they’re sacred texts. Years later, I still mourn that polar bear cub like a distant relative.
So no, my life doesn’t need to be falling apart for me to feel sad. I can borrow someone else’s sadness just fine, thank you very much. Preferably fictional. Definitely furry. And ideally, with a crying score of 10/10.
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